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Better Times
He closes his eyes, rememberin'
back,
though the years to him haven't been kind;
Selectin' good mem'ries requires a sharp knack
When you're livin' the past in your mind.
Ain't easy to see past the missing shingles,
Broken rails, an' loneliness;
It's tough to ignore the stains on the floor-
But it's an old man's only defense.
It's easy to say that silence is golden-
Used to be so noisy 'round here.
No one to intrude on his solitude
Or to offer to share his last beer.
There's very few chores an' no stock to be caught,
No others with whom he' entwined-
Nothin to cost him his train of thought
While he's livin' the past in his mind.
_______________________________________
He sees corrals in
perfect shape
With mares and foals inside.
He sees a pretty lady's face
Beside him as he rides.
Children's laughter fills the yard,
Puppies yip and play-
Life's a joy, though plenty hard-
They like it best that way.
Friends drop by most every night
To share a bit of news;
Every day seems exactly right-
This home never knows the blues.
___________________________________
Well, those days are
gone, an' he' alone;
The papers have all been signed.
Tomorrow, alone, he'll leave this home-
But it'll always be there in his mind.
Rememberin's hard, but forgettin's foreign-
Puts a man in miserable bind.
The only thing now that keeps him goin'
Is livin' the past in his mind.
Kent Stockton ©2006
Dedicated to the memory of Bill Young.


(The photo above features Kent
Stockton.)
KENT STOCKTON writes:
"As near as I can remember, I've
always wanted to be a cowboy. Among my earliest memories is a
Christmas- I guess I was about four or five years old- and a
whole cowboy outfit, including boots, chaps, spurs, rope, and
a gunbelt with cap gun included. I was so proud of that outfit I
wore it to Christmas service at the little church in Fulton,
Kansas. The minister "oohed" and "aahed" over my getup, but made
me check the gun outside- an ignominious fate for a cowboy.
Through the years that followed, I vicariously
watched the popular evolution of the cowboy from the Saturday
matinees to the new-fangled TV screen. As a teenager I got my
first taste of dealing with the "real thing" when I worked on a
cattle ranch in Colorado- I took a job as a "rosin jaw" on the
outfit, though I didn't know the job by that name at the time.
I carried the heritage- or at least the clothes- to
Dartmouth College, and was among the few who wore cowboy
boots, jeans and jean jacket in the Ivy League of the early
60's. The jean jacket got swiped while I was a student there, so
I guess at least one other person shared a penchant for western
dress.
In medical school I realized that an M.D. degree would open doors to me-
I could go virtually anywhere to practice medicine, and the yen
for the cowboy life still burned strongly beneath the surface,
so I persuaded my bride to give Riverton, Wyoming a try. That
was in 1973, and we're still here. Suffice it to say that I've
been in Heaven since we lit here- right from the start I
befriended rodeo cowboys, working cowboys, retired cowboys,
weekend cowboys - even the original Marlboro Man, who lives
nearby.
Then came the Cowboy
Poetry Movement, beginning with the Elko Cowboy Gathering in
1985. I got to the Gathering for the first time in '87, and
discovered a whole new world of cowboys complete with regional
differences, nuances of dress and cattle handling. My wife, Mary
Margaret, and I have made wonderful friendships and
acquaintances with cowboys and cowgirls from all over the
West- indeed from all over the world- through the Gatherings,
and I've been able to realize lifelong dreams by working beside
them and learning from them.
My own experimentation with cowboy poetry began in the 70's,
shortly after moving to Riverton. I'd written a little poetry
before, but none of the cowboy variety. My book "The
Campfire Ain't Quite Out" expresses some of the thoughts and
emotions I've experienced since moving to Cowboy Country- also
the realization that, although the cowboy has changed over
the past century, he ain't dead yet. As Chris LeDoux said it
musically, "You just can't see him from the road". It has been
my privilege to know and work beside a good many men and women
who still make their living horseback, caring for and caring
about the livestock and the land.
Kent Stockton

"The Campfire
Ain't Quite Out" by Kent Stockton was a 2007 Will Rogers
Medallion Award winner. The Academy Of Western Artist will
present Stockton his award during the 2007 Will Rogers Award
Show. This award is given for Outstanding Achievement in the
Publishing of Cowboy Poetry. The poetry of Kent Stockton
carries the reader to Riverton, Wyoming.... and when you've read
his book, you feel like you've lived there; and that you know
the people he writes about. It's real...and written from the
heart. Stockton never talks down to you.....he talks with you.
And for awhile, you're around a vigorously burning campfire- and
enjoying every minute of it! There is an echo of Will Rogers in
his writing...it is rich with all the much loved humor, wit, and
easy going style of telling a story that is reminiscent of Will
Rogers.
This book is another
beautiful hard cover publication of Cowboy Miner Productions.
It is superbly illustrated by Dani Griffith, who was
raised on a farm near rural Pavillion, Wyoming. She made
her debut into the world of cowboy art in 2002 with the design
of a poster for a major rodeo.
To order or to obtain further information, e-mail:
kstockto@wyoming.com
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