Featuring   "THE LAST STAGE ROBBERY- Pearl Hart' by Dee Strickland Johnson.




 

Art work (above) features Pearl Hart (1821 - 1861). It is by Dee Strickland Johnson; and this image appears in her book, "Arizona Women - Weird, Wild and Wonderful".
 

Illustration by Dee Strickland Johnson.
The Last Stage Robbery
Pearl Har
t
by Dee Strickland Johnson

The robbery of the Florence-Globe stagecoach, May 30, 1899 at Cane Springs Canyon watering hole near the Riverside Station was the last stagecoach robbery in the nation.

 
I thought I was rugged,
    I thought I was rough,
I thought I was tougher--
    much tougher than tough.
More likely just stupid,
    I have to admit,
For devising the crime that,
    in fact, I'd commit.

But the stupidest thing
    that I did in my life
Was to marry Frank Hart.
    I, the dutiful wife,
Whom he beat and he battered
    He cursed and he swore.
He deserted me often.
    I'd come back for more.

I was raised for a lady,
    religious and schooled,
Through no fault of my mother's,
    I turned out a fool.
I took up with that gambler,
    decided to run
to dry Arizona--
    snakes, scorpions, sun!

He followed and found me,
   
I went back of course.
He treated me not quite as well
   
as his horse.
Then, two children later,
   
he pulled his last prank;
Became a Rough Rider --
    'twas the last of old Frank.

Back home to my mother
   
I sent the two tykes,
Went out with some miners
   
expecting a strike.
I started in working
    as laundress and cook.
Lived in a tent
   
and hard work undertook.

But the mine proved a bust,
   and one handsome galoot
S
aid, "Let's leave together!"
    His name was Joe Boot.
We headed for Globe,
    but the mine soon closed down,
So we worked on Joe's claim
    quite a piece from the town.

We picked and we shoveled,
    but never found ore.
When I got discouraged,
    down came even more
Of what I call trouble--
    a letter arrived-
I must hurry home
    to see mother alive.

Whence cometh the money
    for fare on the train?
That's when I trusted
    old Joe Boot again.
It sounded exciting.
    It  sounded like fun.
Robbing a stagecoach
    and wielding a gun.

So we up and did it.
    The papers went wild.
A man and a woman--
    or was it a child?
Had held up the Globe-Benson stage
    at Cane Springs
And robbed its three clients
     with no arguing.

About four hundred dollars
   is all that we got--
And a little of that
    I returned on the spot,
So our victims got supper
    and bed for the night.
took two of their guns
    and prepared for our flight.

We were headed for Benson
    to catch a fast train
Eastbound to freedom--
    but bad luck again!
We wandered around
    and soon lost our way,
and were caught while we slept.
    I guess crime doesn't pay!¹

Well, I was acquitted
    in less than ten minutes:²
Then by judge rearrested,
    seemed I couldn't win it.
As I couldn't be tried for the holdup again,
     the theft
of the stage driver's gun
   was my sin!

So for that I was given
    five years in the pen
People cried,
    "Pearl, would you do it again?"
"Damn right!" I hollered.
    "I'm dangerous and dirty!"
(I got only five. Poor Joe, he got thirty.)

Some called me a trollop,
    some even said whore:
Yet one called me virtuous, pretty
    and more.
Some said I was bad, and some said
    I was good--
A  "symbol of modern
    wild west womanhood."

Some called me a dope fiend,
    some called me a drunk;
Some "a diminutive lady
    with courage and spunk".
But it makes little difference,
    for all I've been through
And by now, does it matter?
    I leave it to you.³

But when people ask who
    the stage coaches robbed,
" 'Twas Pearl Hart" you tell them,
    who pulled the last job.

                Dee Strickland Johnson
                     copyright© 2006

 

 _________________________________________________________________________________
                                                                 

                                                                             Footnotes-

1. They were sharing a cave with a bear, whose foul smell had driven them to the entrance of the lair.

2. In the days when women were few in the west, they could often get away (sometimes literally) with murder. Taking a note from the suffrage movement, Pearl is reported to have said, "I shall not consent to be tried under a law in which my sex had no voice in making." She was, however.

3. Pearl was twenty-eight years old at the time of the robbery. She had served nearly three years (most of it as the first female inmate of the infamous territorial prison at Yuma) before being paroled- some say because he was pregnant. To the knowledge of the warden only three males had been with her without supervision- Governor Alexander O. Brodie, Yuma's leading clergyman, and presumably, himself. She returned to her (now healthy) mother in Kansas City and a sister who had written a play, "The Arizona Bandit" in which Pearl was to have the starring role. During her imprisonment, she enjoyed telling (and embellishing)  her story and posing for pictures brandishing guns and dressed in men's clothing- which she preferred to the prison uniform made for her by a seamstress brought in by the warden's wife. Joe Boot was made a trusty and, having served less than two years of his sentence, one day walked away, never to be heard from again. After Joe's escape Pearl began to write poetry and to dress in attractive female attire. Little is known of her life after parole. Several stories suggest that she moved back to Arizona where she remarried and lived the rest of her quiet life as housewife in Globe.
                                                               
                                                                    
                                                    BIBLIOGRAPHY
Aikman, Duncan. Calamity Jane and the Lady Wildcats.
    NY: H. Holt and Co., 2927, 57-63.
Banks, Leo W.  Stalwart Women: Frontier stories of Indomitable Spirit.
    
Phoenix: Arizona Transportation Department, 1999, 71.
Brown, Wynne. More Than Petticoats.
     Guilford, CT and Helena, MT: The Globe Pequot Press, 2003, 46-57.

 

N.B. The footnotes and Bibliography (above) were compiled by  Dee Strickland Johnson and appear in her book, "Arizona Women- Weird, Wild, and Wonderful".

 

About the Author and artist  -
DEE STRICKLAND JOHNSON. . .

 


Photo of Dee Strickland Johnson.


        Medallion Award.    Medallion Award.
 

       Dee "Buckshot Dot" Strickland Johnson is a native Arizonan who grew up on the Navajo and Hualapai Indian reservations, in Flagstaff and at Petrified Forest National Monument. Dot is happily married to John (Ol' Buck) Johnson.They have three grown children, five grandchildren, and two great-grandchildren. She and her husband had a ranch in the Arkansas Ozarks in the 1970's where they raised Hereford and Angus cattle. While living in Arkansas, she appeared regularly with her children at the Ozark Folk Center and wrote heritage articles for a local newspaper. She taught at small schools in tiny Ozark communities.

       The call of the west was just too strong and they returned to Arizona, the land of Dot's childhood.  and now make their home at Payson, AZ. Writing, music, and art have been life long pastimes for Dee and her love of western history is intertwined with all of these.  Dee has taught history, drama, English and art at the secondary level: she taught in the largest city high school in Arizona.      

Arizona HerStory She is the author of "Arizona Herstory, Tales From Her Storied Past", published and produced by Cowboy Miner Productions. In addition she has two other books; and all three are illustrated with her art. She has used the lyrics of poetic imagery to relate the exciting, and often, little known accounts from Arizona's past. She skillfully blends history and the beauty  of poetry to create a fascinating new look at  Arizona's rich and   varied history. Her book was awarded the Will Rogers Medallion.

Dee has a new book, "Arizona Women- Weird, Wild and Wonderful".  And this award winningCover of "Arizona Women" author and woman of many talents has done it again! The Academy of Western Artists  has announced that she is a winner of the 2007 Will Rogers Medallion Award for Outstanding Achievement in the Publishing of Cowboy Poetry for this book. It has a wealth of data and art about historic Arizona women.  The research that went into this book was extensive. Next, Dee captured all these fascinating stories in poetry.  If this wasn't enough of a challenge (and it would have overwhelmed most writers) she then created the art work to go with it. A sample of her art appears on this web page.  There is yet another distinguishing feature about this book: She has backed up her historical accounts with extensive footnotes and and a  bibliography. The work that went into this book was daunting; and it paid off big time!  This is one beautiful book! The author is a very talented women who has amply demonstrated that she is up to just about any challenge the literary world might task of her. She has had many honors and awards. This book confirms what the world of cowboy poetry has long known-...  She earned and deserved every one of them.

         Buckshot Dot has been featured at Cowboy Poets Gatherings and concerts in Arizona, Arkansas, California, Colorado, Montana, New Mexico, Nebraska and Texas. In addition, she has appeared in concert and sessions in Alabama, Idaho, Nevada, Oregon, Vermont, Virginia, Washington, and British Columbia. She was the Academy of Western Artists' 1997 Female Cowboy Poet of the Year, a finalist for that award in 1998 and for video of the year in 1999. n recognition of her efforts on behalf of Arizona, Dee was  named an Arizona Culture  Keeper in 2004 by the Arizona Historical Foundation.    

The image of Dee above is taken from the the cover of her CD -  "Buckaroo Bonanza".  
                                       For further information,  check out her website:   
                                            http://www.buckshotdot.com
 
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