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This poem is probably one of the all-time, top money makers of any poem (cowboy or otherwise) !!!!
 

 


 

Illustration  by Marilen Van Nimwegen

                                         

    The Shooting of Dan McGrew 

                                                                             

A bunch of the boys were whooping it up in the Malamute saloon;
The kid that handles the music-box was hitting a jag-time tune;
Back of the bar, in a solo game, sat Dangerous Dan McGrew,
And watching his luck was his light-o'-love, the lady that's known as Lou.

When out of the night, which was fifty below, and into the din and the glare,
There stumbled a miner fresh from the creeks, dog-dirty, and loaded for bear.
He looked like a man with a foot in the grave and scarcely the strength of a louse,
Yet he tilted a poke of dust on the bar, and he called for drinks for the house.
There was none could place the stranger's face, though we searched ourselves for a clue;
But we drank his health, and the last to drink was Dangerous Dan McGrew.

There's men that somehow just grip your eyes, and hold them hard like a spell;
And such was he, and he looked to me like a man who had lived in hell;
With a face most hair, and the dreary stare of a dog whose day is done,
As he watered the green stuff in his glass, and the drops fell one by one.
Then I got to figgering who he was, and wondering what he'd do,
And I turned my head -- and there watching him was the lady that's known as Lou.

His eyes went rubbering round the room, and he seemed in a kind of daze,
Till at last that old piano fell in the way of his wandering gaze.
The rag-time kid was having a drink; there was no one else on the stool,
So the stranger stumbles across the room, and flops down there like a fool.
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then he clutched the keys with his talon hands -- my God! but that man could play.

Were you ever out in the Great Alone, when the moon was awful clear,
And the icy mountains hemmed you in with a silence you most could HEAR;
With only the howl of a timber wolf, and you camped there in the cold,
A half-dead thing in a stark, dead world, clean mad for the muck called gold;
While high overhead, green, yellow and red, the North Lights swept in bars? --
Then you've a haunch what the music meant . . . hunger and night and the stars.

And hunger not of the belly kind, that's banished with bacon and beans,
But the gnawing hunger of lonely men for a home and all that it means;
For a fireside far from the cares that are, four walls and a roof above;
But oh! so cramful of cosy joy, and crowned with a woman's love --
A woman dearer than all the world, and true as Heaven is true --
(God! how ghastly she looks through her rouge, -- the lady that's known as Lou.)

Then on a sudden the music changed, so soft that you scarce could hear;
But you felt that your life had been looted clean of all that it once held dear;
That someone had stolen the woman you loved; that her love was a devil's lie;
That your guts were gone, and the best for you was to crawl away and die.
'Twas the crowning cry of a heart's despair, and it thrilled you through and through --
"I guess I'll make it a spread misere," said Dangerous Dan McGrew.

The music almost died away . . . then it burst like a pent-up flood;
And it seemed to say, "Repay, repay," and my eyes were blind with blood.
The thought came back of an ancient wrong, and it stung like a frozen lash,
And the lust awoke to kill, to kill . . . then the music stopped with a crash,
And the stranger turned, and his eyes they burned in a most peculiar way;

In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then his lips went in in a kind of grin, and he spoke, and his voice was calm,
And "Boys," says he, "you don't know me, and none of you care a damn;
But I want to state, and my words are straight, and I'll bet my poke they're true,
That one of you is a hound of hell . . . and that one is Dan McGrew."

Then I ducked my head, and the lights went out, and two guns blazed in the dark,
And a woman screamed, and the lights went up, and two men lay stiff and stark.
Pitched on his head, and pumped full of lead, was Dangerous Dan McGrew,
While the man from the creeks lay clutched to the breast of the lady that's known as Lou.

These are the simple facts of the case, and I guess I ought to know.
They say that the stranger was crazed with "hooch", and I'm not denying it's so.
I'm not so wise as the lawyer guys, but strictly between us two --
The woman that kissed him and -- pinched his poke -- was the lady that's known as Lou.


 

The illustration above is  by Marilen Van Nimwegen- Courtesy of  Hancock House Publishers

 


 

                                                                    
                                                           
Robert William Service

Photo of Robert Service.      In 1896, at the age of 15, Robert W. Service left Scotland where he was born, and emigrated to Canada. There he joined his younger brother in an experiment in ranching. The life of a farmer in British Columbia, however, was far from his expectations and after 18 months he set off for California. For the next 6 years Service drifted up and down the Pacific coast. In 1903, finding himself broke in Vancouver, he applied to and was hired by the Canadian Bank of Commerce and won a posting in Whitehorse in the Yukon Territory.

           Desiring a quiet place to work he went to his bank  in his off-hours. The startled bank guard fired a shot at him. This event was the inspiration for the poem "The Shooting of Dan McGrew". The poem was well received by his Yukon  friends. After that, Service wrote  many poems and found a publisher; and Songs of a Sourdough (reissued as The Spell of the Yukon) was published. Cover of "the best of Robert Service".

                His obituary that
appeared in the Pittsburgh Sun-Telegraph of Sept. 16, 1958,  stated,  ". . . His stuff made money hand over fist. One piece alone, The Shooting of Dan McGrew (featured on this page), rolled up half a million dollars for him. . . . " . And keep in mind, that was in the 1950s.
         
            ( Hancock House Publishers has a collection of poems  that features this poem, The Best Of Robert Service. The Range Writers is indebted to Hancock House Publishers for permission to use the illustration in the book by Marilen Van Nimwegen that appears on the top of the page. This book is beautifully illustrated throughout with  sketches by Van Nimwegen. You can obtain further information about this book from the publisher at:  
                                                       http://www.hancockhouse.com/products/besrob.htm
)

     In 1908, Service traveled 400 miles north to Dawson where  he composed and published Ballads of a Cheechako . The following year, he resigned from the bank and wrote full time. He set up shop in the cabin featured on the next page. Determined to write a novel about the  Gold Rush, he traveled along the Klondike River visiting the famous gold sites and boom towns. He interviewing those who settled in the area during 1898; and he read everything he could find on the subject. After finishing his novel, The Trail of 98, he moved to New York City where the book was published.

     Subsequently, Service traveled to Louisiana and Cuba, and then back to Alberta. He returned to the Yukon  paddling a canoe down the Mackenzie River.  Here Service took up where he had left off, enjoying a bohemian sort of life and writing a great amount of poetry. In 1912, after finishing Rhymes of a Rolling Stone, he accepted the job of war correspondent in the Balkan war. In the First World War, he served in an America volunteer ambulance unit; later becoming a war correspondent for the Canadian government. Following the war, he traveled, returned to France, and wrote two volumes of poetry and several novels.

     Though he never returned to the Yukon after he left in 1912 it remained a part of his life until his death in 1958

 

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